Série "A vingt mille de", 4 (2024) Drawing by Gabriel Grillot

Ink, 11.6x8.3 in
$222.67
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  1127 px  

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Dimensions of the file (px) 1127x1500
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This artwork appears in 1 collections
  • Original Artwork (One Of A Kind) Drawing, Ink
  • Dimensions Height 11.6in, Width 8.3in
  • Categories Drawings under $500
About this artwork: Classification, Techniques & Styles. Ink. A strongly tinted liquid or paste that is used to mark paper or other printable materials. The design is done manually with a slab, feather, brush, or straightener. Technic Drawing. Drawing is a technique of visual representation on a flat support. The term "drawing" designates both the [...]

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Né en 2000 dans la campagne tourangelle, mon intérêt pour l’art est arrivé comme ça… Au collège, je pensais devenir chirurgien. Au lycée, je pensais devenir avocat. Puis en juin 2016, je bidouille deux toiles [...]
Né en 2000 dans la campagne tourangelle, mon intérêt pour l’art est arrivé comme ça… Au collège, je pensais devenir chirurgien. Au lycée, je pensais devenir avocat. Puis en juin 2016, je bidouille deux toiles dans ma chambre d’ado. Mes proches m’encouragent à poursuivre. Juin 2017, le parquet de ma chambre d’ado est incrusté de peinture. Je me dis pourquoi pas poursuivre. Juin 2018, baccalauréat ES obtenu mention bien, j’apprends que pour la rentrée je serai à TALM-Le Mans. Plus qu’à nettoyer le parquet de ma chambre d’ado et j’y serai vraiment ! Une fois admis, j’effectue mes cinq années à l’ESAD TALM Le-Mans (DNSEP Art obtenu en mai 2023). Puis j’enchaîne avec la résidence post-diplôme de six mois, proposée gracieusement par mon école formatrice (programme Les Affluentes de TALM). Aujourd'hui je vis et travaille à Paris, avec toujours cette obsession de peindre. A l’atelier, mon geste rencontre la surface du tableau. Toujours poussé par quelque chose de plus fort que ma volonté, des choses adviennent par mon action, je les fige et les laisse vivre par le regard. Le moindre trait en inspire un autre. Comme à la pêche, l’atelier fait appel à la ruse, au calme et à l’observation. La notion du jeu (du côté de l’amusement et de l’énigme à résoudre) est très présente. Avant tout, je prends plaisir à me laisser surprendre et étonner. Le traitement du dessin va au plus direct par une simplification schématique des éléments. Les quelques traits deviennent un signe reconnaissable. Dans ce sens, cette restitution de motifs agit pour le spectateur en symbole universel, comme un phénomène de déjà-vu.

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